Addendum to the Great Fire story

Hi All,

  Actually maybe more of a correction than addendum.  I really glossed over the rebuilding part of the story but our friend Ed Kelly, much more of a history buff than I pointed out the following to me in response to my email.  I thought I’d share.

Ru

Thanks.  Very nice report.

I think your guide may have missed a bit of the history of rebuilding however.  Charles II actually proposed changing city plans, but could not get consensus and city agreement to do so. At the time the City and the King were on opposite sides politically. During the Civil War that had just ended the City had supported the arrest of King Charles I and the King could not actually even enter the city of London. During the fire the city tried to keep the kings troops out of the city, despite an offer to help. They did not trust one another and possibly that is why they were suspicious of the Kings plans to improve much of the city, I am not sure.

But Charles did enlarge the streets and alleys… so they must have really been super narrow before!  I think there is an inscription on the river side of the monument attesting to Charles II’s insisting on brick and stone and on his deciding and directing the streets be widened on rebuilding.  Although Charles II came back into Power with the 60s, with a promise of no reprisals, the HUNG, DRAWN & QUARTERED Pub just West of the Tower of London presently bears an inscription made by Pepys … which is testament to his revenge … the hangee being a General who had signed the death warrant years earlier for the execution of his father.

SOME INTERESTING NOTES ON THE TIMES:

Encouraged by Charles, radical rebuilding schemes for the gutted City poured in. If it had been rebuilt under some of these plans, London would have rivalled Paris in Baroque magnificence (see Evelyn’s plan on the right). The Crown and the City authorities attempted to establish "to whom all the houses and ground did in truth belong" to negotiate with their owners about compensation for the large-scale remodelling that these plans entailed, but that unrealistic idea had to be abandoned. Exhortations to bring workmen and measure the plots on which the houses had stood were mostly ignored by people worried about day-to-day survival, as well as by those who had left the capital; for one thing, with the shortage of labour following the fire, it was impossible to secure workmen for the purpose. Apart from Wren and Evelyn, it is known that Robert Hooke, Valentine Knight and Richard Newcourtproposed rebuilding plans.

With the complexities of ownership unresolved, none of the grand Baroque schemes for a City of piazzas and avenues could be realised; there was nobody to negotiate with, and no means of calculating how much compensation should be paid. Instead, much of the old street plan was recreated in the new City, with improvements in hygiene and fire safety: wider streets, open and accessible wharves along the length of the Thames, with no houses obstructing access to the river, and, most importantly, buildings constructed of brick and stone, not wood. New public buildings were created on their predecessors’ sites; perhaps the most famous is St. Paul’s Cathedral and its smaller cousins, Christopher Wren’s 50 new churches.

On Charles’ initiative, a Monument to the Great Fire of London, designed by Christopher Wren and Robert Hooke, was erected near Pudding Lane. Standing 61 metres (200 ft) tall and known simply as "The Monument", it is a familiar London landmark which has given its name to a tube station. In 1668 accusations against the Catholics were added to the inscription on the Monument which read, in part:

Here by permission of heaven, hell broke loose upon this Protestant city…..the most dreadful Burning of this City; begun and carried on by the treachery and malice of the Popish faction…Popish frenzy which wrought such horrors, is not yet quenched…

Aside from the four years of James II‘s rule from 1685 to 1689, the inscription remained in place until 1830 and the passage of the Catholic Emancipation Act.[59]

Another monument, the Golden Boy of Pye Corner in Smithfield, marks the spot where the fire stopped. According to the inscription, the fact that the fire started at Pudding Lane and stopped at Pye Corner was an indication that the Fire was evidence of God’s wrath on the City of London for the sin of gluttony.

Monument to the Great Fire of 1666

Cheers,

   Last Sunday Randal and I took part in our second www.walks.com tour.  It focused on part of the famous London Square Mile that makes up the old city of London.  We began the tour at the monument to the great fire of 1666, a date that once you learn is not hard to remember.  The Great Plague was 1665-1666.  Not a good time to be in London.   Our tour started at the foot of The Monument to the great fire.  While we were there, our guide Simon mentioned that the view from the top was worth the 311 steps.  We didn’t have time Sunday so today, while Randal and I were out and about, we made The Monument our last stop.  Randal waited in a coffee shop down on the street while I walked to the viewing platform.  Before I started I’d  asked the ticket seller how long it would take.  “Five minutes” was her reply and that was just about right.  I walked slowly and steadily giving the young man behind me an excuse to go slowly and steadily.  I’d invited him to pass me but he said my speed was just fine for him too.  So now that’s done, here’s the story of The Monument to the Great Fire.   http://www.mydoramac.com/wordpress/?p=19008 has more information and photos from our visit to the Museum of London where there is an exhibit devoted to the Great Fire of 1666.

Ru

The Monument

  “The Monument stands at the junction of Monument Street and Fish Street Hill in the City of London. It was built between 1671 and 1677 to commemorate the Great Fire of London and to celebrate the rebuilding of the City.

     The fire began in a baker’s house in Pudding Lane on Sunday 2nd September 1666 and finally extinguished on Wednesday 5th September, after destroying the greater part of the City. Although there was little loss of life, the fire brought all activity to a halt, having consumed or severely damaged thousands of houses, hundreds of streets, the City’s gates, public buildings, churches and St. Paul’s Cathedral. The only buildings to survive in part were those built of stone, like St. Paul’s and the Guildhall.

     As part of the rebuilding, it was decided to erect a permanent memorial of the Great Fire near the place where it began. Sir Christopher Wren, Surveyor General to King Charles II and the architect of St. Paul’s Cathedral, and his friend and colleague, Dr Robert Hooke, provided a design for a colossal

Doric column in the antique tradition. They drew up plans for a column containing a cantilevered stone staircase of 311 steps leading to a viewing platform. This was surmounted by a drum and a copper urn from which flames emerged, symbolizing the Great Fire. The Monument, as it came to be called, is 61 metres high (202 feet) – the exact distance between it and the site in Pudding Lane where the fire began.

     The column was completed in 1677, and in accordance with Wren’s original intention, was at first used as a place for certain experiments of the Royal Society, but vibrations caused by ceaseless traffic proved too great for the success of these experiments and they were discontinued; thereafter the Monument became a place of historic interest, unique of its kind, providing visitors with an opportunity to look across London in all directions from a height of about 160 feet, being the level of the public gallery.  

     Sir Christopher Wren’s flame-topped Monument to the Great Fire of 1666 is the tallest isolated stone column in the world.

http://www.themonument.info/history/introduction.html

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Our guide Simon explained that when rebuilding the King insisted that the City be rebuilt as it had been even recreating the small alleyways and lanes rather than lay the city out as a grid or spoke or something more logical.  That’s why London is just as it had been in 1666. 

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Only at a distance could I get a “top to bottom” photo of The Monument

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“The column stands on a plinth, three faces of which carry Latin texts with translations. “

North face – Translation of the Latin inscription:

In the year of Christ 1666, on the 2nd September, at a distance eastward from this place of 202 feet, which is the height of this column, a fire broke out in the dead of night, which, the wind blowing, devoured even distant buildings, and rushed devastating through every quarter with astonishing swiftness and noise.  It consumed 89 churches, gates, the Guildhall, public edifices, hospitals, schools, libraries, a great number of blocks of buildings, 13,200 houses, 400 streets.  Of the 26 wards, it utterly destroyed 15, and left 8 mutilated and half-burnt.  The ashes of the City, covering as many as 436 acres, extended on one side from the Tower along the bank of the Thames to the church of the Templars, on the other side from the north-east gate along the walls to the head of Fleet-ditch.  Merciless to the wealth and estates of the citizens, it was harmless to their lives, so as throughout to remind us of the final destruction of the world by fire. The havoc was swift.  A little space of time saw the same city most prosperous and no longer in being.  On the third day, when it had now altogether vanquished all human counsel and resource, at the bidding, as we may well believe, of heaven, the fatal fire stayed its course and everywhere died out. *[But Popish frenzy, which wrought such horrors, is not yet quenched.]

* These last words were added in 1681 and finally deleted in 1830.

http://www.londonremembers.com/memorials/the-monument-west-and-north

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The bas relief on the front of The Monument

“The bas relief by Cibber is worthy of close examination.  It shows a woman on the left (representing the City) languishing on some ruins. Winged Time supports her and a female figure points with a winged sceptre at the clouds which contain two more bare-breasted lovelies, one with a cornucopia (Plenty) and one with a laurel branch (Praise).  Behind the group on the left are some figures waving their hands in distress and behind them, the cause, buildings with smoke and flames pouring forth.  To the right of this group can be seen a beehive, symbol of industry.  And is that the City dragon/griffon we see at the bottom left creeping out from under the ruins?  The main figure in the group to the right is King Charles II standing at the top of some steps. He directs three more scantily-clad women down the steps towards poor City.  They represent:  Science brandishing a figure of many-breasted Nature and with a very strange headdress; Architecture clutching some plans and a pair of compasses, and Liberty waving her cowboy hat in the air.  To the right of the Kings stands his brother, the Duke of York (the future King James II) clutching a garland, presumably destined for the City.  Behind James are two more female allegorical figures:  to the left Justice wearing a coronet and to the right Fortitude brandishing a sword in one hand while the other controls the leashed lion at her feet.  Behind this group the reconstruction of the City progresses, with workmen scrambling over scaffolding.  Below the steps on which this group stands, squeezed into an arched cavern is an ugly female figure, Envy eating her own heart.”

http://www.londonremembers.com/memorials/the-monument-west-and-north

When I enlarge the photo Envy looks like a well-muscled man to me.

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Dragons and crosses are the symbols of Saint George the patron saint of The City of London.  http://www.seiryu.org.uk/ppp/city-dragon.html

“ Caius Gabriel Cibber executed the sculpture on the west panel, and the four dragons at the base were the work of Edward Pierce, Jnr., a sculptor and architect frequently employed by Wren. “

http://www.themonument.info/history/construction.html

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“…on the abacus is a balcony encompassing a moulded cylinder, which supports a flaming urn or vase of gilt bronze, symbolizing the Fire. Defoe quaintly describes the Monument as “built in the form of a candle”. the top making a “handsome gilt flame like that of a candle”.  http://www.themonument.info/history/construction.html

The wire cage isn’t visible so I wondered if I would have the nerve to actually walk out onto the balcony.

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“Within is a spiral staircase with a total of 345 steps; after climbing 311 the staircase opens to a public balcony providing a fine view of the metropolis..”  http://www.themonument.info/history/construction.html

“Each step is exactly 6 inches high. The very top of the edifice has a hinged lid and the spiral staircase surrounds a void (rather than a solid shaft) so the whole height can be used by a giant pendulum, or as a telescope, or (and who doesn’t want to do this?) for dropping things. “

http://www.londonremembers.com/memorials/the-monument-west-and-north

Actually walking up was so bad.  Randal and I had been out doing chores so I had already stretched my legs by the time I had to climb the stairs.  They are small steps making climbing up less strenuous, but coming down, I really had to watch my step as the rise wasn’t as I’m used to in standard American architecture. 

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The Shard off in the distance

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The Gherkin and the  “Walkie-Talkie” building whose curved façade, during hot summer days,  melted cars on the street below.

“A London skyscraper dubbed the Walkie-Talkie has been blamed for reflecting light which melted parts of a car parked on a nearby street. What happened?

It’s like starting a fire with a parabolic mirror.  "Fundamentally it’s reflection. If a building creates enough of a curve with a series of flat windows, which act like mirrors, the reflections all converge at one point, focusing and concentrating the light," says Chris Shepherd, from the Institute of Physics.

    The half-finished 37-storey "Walkie Talkie"- nicknamed such because of its tapering rectangular design – is indeed a curvy building. Its design, which has also been compared to a brimming pint glass, has provoked controversy before.

     It transpires the car, a Jaguar on Eastcheap in the City of London, was parked at just the spot where the focused light landed.

http://www.bbc.co.uk/news/magazine-23944679

Our guide said the design was supposed to have been a “money saving design modified from a more expensive plan” but now it’s costing them a fortune to fix the mess   They should have followed  the old British maxim, Penny wise, pound foolish.”

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The Thames and the Tower Bridge

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The ticket-taker was chilled but walking up and then down 311 stairs warmed me up.

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Randal held my new Daunt Book Shop bag while I climbed the Monument.

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Here I am back on DoraMac with my “I climbed The Monument” certificate which you receive as you leave.

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This is a great book shop!

The Sunday Telegraph magazine had run a story about Elizabeth Jane Howard, who at 90, had just written the 5th book in her Cazalet Chronicles.  The local libraries didn’t seem to have a copy on the shelves when I checked online so while we were out and about today, I bought Book One: The Light Years.  And I also bought Ann Patchett’s small pamphlet The Bookshop Strikes Back about her own bookshop in Nashville and why she started it.  My purchases were handed to me in this lovely Daunt Books cloth bag.  The shop had a great collection and the guys who worked there were helpful and really well read.  Super! 

Back on the Blog

Cheers.

  Today I checked out my first library books at the Artizan Street Library Walking the London Blitz by Clive Harris and Walking London’s Docks, Rivers & Canals by Gilly Cameron Cooper.  www.com does a Blitz walk and I do think that would be quite interesting.  I love walking along the river and intend to visit the Docklands venue of the Museum of London one of these days. 

   Saturday Randal and I arrived at the Lord Mayor’s Parade in time to see the tail end go by, we’d overslept… but you can watch the whole thing if you’re so inclined at www.lordmayorsshow.org until November 16th.  We did have a lovely visit Saturday afternoon from a N. Cyprus cruising pal who happens to be in England for a bit.  Catching up on our lives since then was lots of fun.   Sunday we did our second www.com tour of the historic square mile of London.  Lots and lots to see and learn. 

   In this email I attempt to take you along on the www.walks.com Old Jewish Quarter tour.  Some of the places are new, others I probably mentioned in the email about Petticoat Lane and Sandy’s Row Synagogue and Toynebee Hall.  It’s a bit long, but there are no tests so feel free to read what interests you and skip the rest.  That’s what I do.

    Tomorrow morning is our first “cruisers coffee.”  We already know Sue and Ed and have recently met Helen and Gus.  Tomorrow we’ll meet the other folks who will be wintering here at SKD. 

   So that’s it.

Ru

www.walks.com  THE OLD JEWISH QUARTER  " a shtetl called Whitechapel “

“This walk traces the history of London’s Jewish community in the East End. It’s a story that embraces the poverty of the pogrom refugees and the glittering success of the Rothschilds;  the eloquence of the 19th-century Prime Minister Disraeli and the spiel of the Petticoat Lane stallholder;  the poetry of Isaac Rosenberg and the poetry-in-motion of Abe Saperstein’s* Harlem Globetrotters.  Set amid the alleys and back streets of colourful Spitalfields and Whitechapel, it’s a tale of synagogues and sweatshops, Sephardim and soup kitchens.”

*Abe Saperstein. “You’re born in England where they hardly play the sport. You’re Jewish. You’re just north of five feet tall. Chances are you’re not going to make it into the basketball Hall of Fame. Yet Abe Saperstein, who was all these things, did just that. Saperstein saw a chance and he took it. In so doing, the unlikely hall of famer changed basketball forever.

      Saperstein was born in London in 1902. When Abe was six, his father moved the family to America and opened a tailor shop in a mainly Irish and German neighborhood on Chicago’s North Side. The Sapersteins were the only Jewish family in the area. Young Saperstein threw himself into sports, running track and playing baseball and basketball through high school. By the time he reached college, however, his lack of height caught up with him. He was considered too short to play in basketball at the University of Illinois, and failed to make the team.

     Saperstein dropped out of college and started work as a playground supervisor for the Chicago public parks system. He was assigned a job at a small park on the predominantly African-American South Side of Chicago…….you can read the rest of the story here about the London born, short Jewish guy who started the Harlem Glovetrotters. http://www.jspace.com/

Taking a walk through time to the old East End

The Jews may be gone but the memories remain in the streets where they lived.

By Monica Porter, November 11, 2011

The Jewish Chronicle

http://www.thejc.com/

This is a really good description of the walking tour and I’ll cut and paste parts of it along with the photos I took during our tour.

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Remains of the Roman wall at Cooper’s Row our first stop of the walk just near our marina. 

COOPER’S ROW   “In 1282 and up to 1750 known as Woodroffe Lane, from the old English word wuderofe = modern woodruff, a woodland flower. It commemorates the family of Woodroffe. David W. was Sheriff in 1554. Present name from owner of property.”  http://www.maps.thehunthouse.com/eBooks/City_Street_Names.htm

At this stop our guide Judy began to tell the history of Jews in England.

“How did the history of Jews in Britain start?

It is a very long history. The first substantial Jewish community arrived in England after the Norman Conquest of 1066, although some historians suggest there was a presence in even earlier times.

      The Jews who arrived with William the Conqueror were merchants and bankers – they became an integral part of the early Norman period because Christians (much like Muslims today) were forbidden from lending money at interest.   According to our guide Judy, interest rates were very high running up to 40% or even 60%.   Lending money must have been a risky business but also lucrative as many Jews of these early years were quite wealthy.

     By the middle of the 13th century, there were substantial Jewish communities in London, Lincoln and York.”  http://news.bbc.co.uk/1/hi/5076900.stm

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In 1290 Jews were “expelled” from England by King Edward I but were allowed to return in 1856 by Thomas Cromwell. 

{…the guide mentioned in the article} “launches into the story of the coronation of Richard I in 1189. Richard had issued an edict that there were to be "no women and no Jews" at his coronation, but a number of wealthy Jewish merchants turned up anyway. When they were recognized, they were beaten, many were killed, and this sparked a massacre of Jews in London and elsewhere. "Some Jewish usurers sought refuge in the Tower and the King said: OK, as long as the money keeps rolling in. Like a Mafia boss, he made them pay for protection. A century later, in 1290, King Edward I expelled the Jews from England."

   …..walking along Jewry Street (named after the Jewish community which settled in this area on their readmission to the country in 1656) and then on to Duke’s Place, where a plaque reminds us that the Great Synagogue once stood there. For centuries, this was the heart of Ashkenazi life in London, until the synagogue’s destruction in the Blitz.  http://www.thejc.com/

There were no ruins to photograph and I didn’t even see the plaque.    Our guide made the point of saying that the Sephardic synagogue we were to visit just down the street, Bevis Marks,  miraculously survived intact!

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The oldest surviving synagogue in England opened in 1701

http://www.bevismarks.org.uk/ no photos allowed inside but the website is an excellent tour.

I believe our guide Judy told us the real name of the synagogue was Gates of Heaven  pointing to the Hebrew over the door  which was “Saar ha-Samayim “    Bevis Marks is the name of the road where the synagogue is located and is the name everyone uses for the Synagogue.    Out on a walk when we first arrived in London I had attempted to find the synagogue but all I could think of was Mavis Beacon, the typing lessons that I’d used during a summer typing course in 1967

“There is some confusion regarding the origin of the name of Bevis Marks, which dates back at least to 1407 in the form of "Bewes merkes." The name appears to have been derived from the Abbey of Bury St. Edmunds who possessed the property prior to 1156” http://www.cryptojews.com/england_and_bevis_marks_synagogu.htm

And merks meant marks as in boundary markings.

BEVIS MARKS SYNAGOGUE  (known officially as the Synagogue Saar ha-Samayim)

     The oldest Jewish house of worship in London; established by the Sephardic Jews in 1698, when Rabbi David Nieto took spiritual charge of the congregation. At that time the worshipers met in a small synagogue in Cree Church lane; but the considerable influx of Jews made it necessary to obtain other and commodious quarters. Accordingly a committee was appointed, consisting of Antonio Gomes Serra, Menasseh Mendes, Alfonso Rodrigues, Manuel Nunez Miranda, Andrea Lopez, and Pontaleao Rodriguez. It investigated matters for nearly a year, and on Feb. 12, 1699, signed a contract with Joseph Avis, a Quaker, for the construction of a building to cost £2,750 ($13,335). On June 24 of the same year, the committee leased from Lady Ann Pointz (alias Littleton) and Sir Thomas Pointz (alias Littleton) a tract of land at Plough Yard, in Bevis Marks, for sixty-one years, with the option of renewal for another thirty-eight years, at £120 a year. http://www.jewishencyclopedia.com/articles/3236-bevis-marks-synagogue

To avoid drawing attention to itself, the synagogue was designed to be similar architecturally to churches.  It is also said to be very similar to the Great Synagogue in Amsterdam which Randal and I visited back in 2000.  Maybe I remember.  There are seven chandeliers in this synagogue, one for each day or the week and the large one in the center for the Sabbath.  The chandeliers are lit with huge candles and on many occasions they are the only lighting which must be beautiful!

     Growing up in New Bedford with its large Portuguese population, I had many classmates with names like Mendes,  Rodriques, Lopez etc but they weren’t the Jewish kids.  They were the “Portuguese” kids.  It’s what made New Bedford such a great place to grow up.  All the variety of people.

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A group of school kids was just finishing a tour as we arrived.  Many were Muslim kids and Maurice told us his favorite part of any tour was showing the school kids what all religions had in common.  He believed that was one of the most important aspects of offering the synagogue tours.  He said the kids had asked great questions and all of us were sorry we hadn’t been there to hear them. 

    You can see the gate leading into the courtyard where the synagogue is located.  Jews were forbidden to build synagogues on the street. 

“Maurice Bitton, the shamash of Bevis Marks, welcomes { us } into the beautiful building, which dates from 1701. Tucked away in a courtyard, because Jews were not allowed to build on public thoroughfares at the time, it is virtually unchanged since it was built. The great brass hanging candelabra, austere dark oak benches, magnificent ark – everything is original.  (sorry but you have to go to their website to see as no photos were allowed inside the synagogue.)

Bitton recounts with relish the history of the Sephardi synagogue, and regales us with tales of the congregation’s most famous son, the 19th-century philanthropist Sir Moses Montefiore.  He shows us the great man’s seat, now roped off. The congregation has shrunk since then, but Bitton says it is starting to grow again, as young Jews move back into the area.  (Honored guests such as Prince Charles and Prince Philip are allowed to sit in Sir Moses’ chair.  But the current Lord Mayor of London Fiona Woolf,  would not be allowed to sit there.  Sir Moses’ chair is downstairs in the men’s section of the synagogue.  Fiona would have to sit upstairs.  It will be interesting to see if this dilemma will ever have to be dealt with, either for Fiona or a future female Lord Mayor.  I guess even the Queen would be refused Sir Moses’ seat though I’m sure everyone who deals with the Queen’s schedule would already know of this so the problem would never arise.  During the tour women could sit downstairs, but not during a service.)

For me, ( me being the author of the Jewish Chronicle article) the visit brings back memories.  In the 1970s, long before the City was redeveloped, I worked for a magazine whose creaky Dickensian offices overlooked this synagogue. On dusky winter evenings, I peered down through its windows into the warm, candlelit glow, mesmerized by the sound of chanting.

http://www.thejc.com/

Moses Montefiore was married to Judith Barent-Cohen.  Before we could ask, Maurice told us that “Borat” Sasha Baron Cohen was a relative of Judith’s.    (I can’t prove that to be true from Internet research, but one would think Maurice would know.  Perhaps a more distant relative than I initially thought.) http://www.thefreelibrary.com is a really interesting article about the Baron-Cohen family  and life for Jews in England as well as telling about this extraordinary family.  No mention was made of Judith Barent-Cohen or Moses Montefiore. 

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A plaque of Jewish war dead who were members of the congregation, many with Portuguese/Spanish sounding names as this is a Sephardic Synagogue. 

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Looking back towards the synagogue and kosher Restaurant 1701, the low roofed building next door.  Originally there were other building here that supported the Jewish community but those are now gone.

http://www.restaurant1701.co.uk/

http://www.independent.co.uk/.  The reviewer and his pal each paid £80 for their full meal with wine.  It would take a hugely important occasion to get Randal and me there.  We’d rather spend it on books, more   or www.walks.com .

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Jewish soup kitchen for the poor; not a 70s psychedelic restaurant.  But then that would probably be “far out” rather than “way out.”  It just struck me funny: Way Out Soup Kitchen.  

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A sign of the changing population ; though Jewish women in 1902 may well have covered their heads as it was an orthodox custom for married women to cover their heads with a shawl or even a wig. 

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Over the door is the image of a soup pot for people who spoke and read Yiddish but couldn’t read English.  The date is written for both the Jewish calendar and the western calendar. 

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Brune Street

   @www.ravishlondon.com

“Brune Street is a small street in Spitalfields, interesting just because of the way it captures the Jewish past of Spitalfields, with the Bengali present. On one side of the road you’ve got the old Jewish soup kitchen for the poor and then on the right you’ve got the Brune Street Estate, where all the signs are written in English and Bengali…….

   The building remained empty for years. Now, whilst the sandstone facade remains faithful to its origins, the building itself has been converted into luxury apartments.”

To the left of the soup kitchen was the Jewish Free School. http://www.jfsalumni.com/history/?disp_feature=llaOdp tells you all about it and its connection with the Rothschild family.  According to my Jewish London book, this school, by the early 1900s, was the largest in Europe with over 4,000 pupils.  It still exists today.  

     But, more interesting is one school that I believe was near the Bevis Marks Synagogue run by nuns.   There being so many Jewish students,  those amazing nuns learned Yiddish  so they could teach the children in the only language they knew. 

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This scene just grabbed my attention.  The skinny building looks like it should be in a Harry Potter movie.  Sunday, during another walks.com tour we actually did walk through the setting used for the shops where Harry buys his magic wand and other “school supplies.”

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The Victorian Market 

From its small beginnings in the 17th Century, Spitalfields Market blossomed. Traders working from a collection of sheds and stalls did their best to meet the needs of London’s rapidly growing population and their appetite for fresh fruit and vegetables. Their success made Spitalfields Market a major centre for the sale of fresh produce, trading six days a week.

Spitalfields fell into decline after the 1820’s and gained a reputation as cheap area in which to live, proving a magnet to numerous waves of immigrants.

By 1876 the market had fallen into decline. Recognizing the need to update the market, a former market porter called Robert Horner bought a short lease on the market and started work on a new market building which was completed in 1893 at a cost of £80,000.

In 1920 the City of London acquired direct control of the market, extending the original buildings eight years later. For the next 60 years, Spitalfields’ nationwide reputation grew, as did the traffic congestion in the narrow streets around it. With no room for the expansion it so badly needed, the market was forced to move and in May 1991 it opened its doors at its new location in Leyton, east London.

At the end of 2005, after 18 years of sensitive preparation, the Spitalfields regeneration programme was completed. This regeneration has resulted in the creation of two new public spaces, Bishops Square and Crispin Place, a public art programme, an events programme, the restoration of several historic streets in E1 and a selection of carefully selected independent retailers and restaurants. A visitor to the market today will find designers / makers and artists selling fashions, homewares and accessories or a treasure trove of vintage and antique clothing, furniture and other wondrous oddments!

Spitalfields is no longer considered just a Sunday destination it has evolved into one of London’s favourite and most vibrant areas.   http://www.spitalfields.co.uk/about_history.php#.UoEgi0rFJdg

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“Brune Street Estate takes its name from Walter Brune, who in 1197, founded a hospital in the local area on what was then fields, which became to be known as hospital fields and then Spitalfields.”

http://www.ravishlondon.com/items/(194).html

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“Christ Church was built between the years 1714 and 1729 as part of the church building programme initiated by the Fifty New Churches act of 1711, backed by Queen Anne, which was implemented by four different Commissions.

At the time, there were fears that ‘godless thousands’ outside the City of London had no adequate church provision, and that non-conformists – including large numbers of French Huguenot silk weavers – were moving into Spitalfields and bringing their non-conformist worshipping ways with them.

The Commission appointed to build the 50 new churches stipulated that the new buildings should have tall spires so that they would tower above the smaller, non-conformist chapels! The idea was to fund the work through taxes on coal coming into London, although monies ran low in about 1719 and building progressed fitfully.

One of the two surveyors employed by the first Commission, at an initial rate of £200 per year, was Nicholas Hawksmoor – a Nottinghamshire-born architect who had worked with Sir Christopher Wren since his late teens. Of the 12 churches completed (out of the projected 50), six were the work of Hawksmoor, and Christ Church was his masterpiece. “  http://ccspitalfields.org/history/

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Christ Church towering over the homes of the French Huguenots.

Immigration and Emigration  The world in a city  http://www.bbc.co.uk/legacies/immig_emig/england/london/article_1.shtml

Tells the story of the how these streets changed with each wave of immigration: Hugeunots to Jews to Banladeshis to Somalies

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Silk weaving was done in the attic rooms located in the recessed windows topping the buildings.

“The wooden spools that you see hanging in the streets of Spitalfields indicate houses where Huguenots once resided. These symbols were put there in 1985, commemorating the tercentenary of the Revocation of the Edict of Nantes which brought the Huguenots to London and introduced the word ‘refugee’ to the English language. “   http://spitalfieldslife.com/2013/04/14/the-huguenots-of-spitalfields/

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Wooden spool between two windows

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Many buildings now retain the names of the original businesses housed here.  At number 92 Brick Lane you can see the CH N. Katz shop that had sold paper bags and string until sometime in the 1990s.  Now it’s an art gallery.

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Umbra Sumus  We are under the shadows, the sundial dated 1743, place there when the Huguenots erected this building as their church, now the Brick Lane Jamme Masjid (mosque.)

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   “The Jamme Masjid or Great London Mosque on the corner of Brick Lane and Fournier Street. This building is a perfect illustration of the East End’s role as the point of entry for immigrant groups. It was originally founded as a church for Hugenots – French protestants who fled to London to avoid persecution at home. The chapel was later used by Methodists. In the late 19th century, when Whitechapel became the centre of the Jewish East End, it became the Machzike Adass, also known as the Spitalfields Great Synagogue. With the dispersal of the Jewish community and a new influx of Bengali immigrants, it became the Jamme Masjid or Great London Mosque in 1976. “

http://www.portcities.org.uk/

Creator: Andrew Holt    Credit line: National Maritime Museum

    “It is often said that Spitalfields, like much of Tower Hamlets, is overcrowded, one of the reasons being the mismatch between the size of Bangladeshi families and the size of family the apartments they live in were designed for.

There are a number of mosques in Spitalfields. One of a particular note is the ‘Jamme Masjid’, the history of which mirrors immigration into Spitalfields perfectly, having been previously a synagogue and originally a French Protestant chapel. It is, and could be used for, a metaphor for how religious communities can get on side-by-side in a pragmatic way. The building has been a mosque for the last thirty years.

The Brune Street Estate, at least on a Wednesday afternoon in winder, is a sleepy peaceful estate, populated it seems mainly by Bengalis who make up 60% of the Spitalfields suburb. A lot of the signs around the estate are written in English and Bengali.

Although the Bengalis arrived in London in the 1970s and 1980s unemployment in their community still runs high, with one source quoting it as high as 30%.

For this reason some of the men have quite a lot of time on their hands, and you can see a number at the local mosque located in the community centre on the east side of the Brune Street estate.”

http://www.ravishlondon.com/items/(194).html

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Our guide Judith wearing a poppy to commemorate Remembrance Month

“The eleventh hour of the eleventh day of the eleventh month marks the signing of the Armistice, on 11th November 1918, to signal the end of World War One.

At 11 am on 11 November 1918 the guns of the Western Front fell silent after more than four years continuous warfare.

    Remembrance Day is on 11 November. It is a special day set aside to remember all those men and women who were killed during the two World Wars and other conflicts. At one time the day was known as Armistice Day and was renamed Remembrance Day after the Second World War.

     Remembrance Sunday is held on the second Sunday in November, which is usually the Sunday nearest to 11 November. Special services are held at war memorials and churches all over Britain.”

http://resources.woodlands-junior.kent.sch.uk/customs/Remembrance.html#last

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There is no disputing that London’s West End reins supreme in Britain’s theater world. However, there was a time when the East End was renowned for its Yiddish theatrical productions. East London’s first theater group was called the Hebrew Dramatic Club. Located at 6 Princelet Street, this drama club began operating in 1887 under the auspices of David Smith, a kosher butcher. "But in 1888," says Bettington, "17 people died when someone wrongly shouted ‘fire,’ and the audience stampeded for the exit. It closed shortly afterwards." However, if you walk down the street you’ll know you found it when "you see a coal hole cover with a viola on it," http://www.jpost.com/Travel/Around-Israel/Jewish-East-Enders

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Our guide connected this address to Norman Adler who helped bring Yiddish Theatre to London. Norman Adler was the father of Stella Adler, acting teacher of  such well known actors as Marlon Brando, Robert De Niro, Warren Beatty, and Candice Bergen.

http://www.pbs.org/

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Judith pointed this out as one of her favorite building and one of the few buildings on Princelet Street that hasn’t been refurbished on the exterior though the interior is in excellent enough condition.  Because of both exterior and interior it is a favorite location of the film industry. 

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The Shard and the Gherkin not far from Bevis Marks Synagogue

A “Jewish Joke”  http://www.thejc.com/

    “From here, we head for the highlight of the tour, a visit to the country’s oldest surviving synagogue at Bevis Marks. The vaguely phallic-shaped office block known as the Gherkin, towers above us and Shaughan recalls an elderly Jewish lady on an earlier tour who bemoaned the fact that it was built so near the historic synagogue. "It’s all right, dear," Shaughan told her, "it’s been circumcised."

“Life in the cool lane” of London’s East End….

“These days, Brick Lane and the surrounding streets are home to writers, artists, stylists and photographers. "I love living here," says Lulu Kennedy, creator of Fashion East, which helps young designers stage shows during Fashion Week. "I can stay in the area for weeks because there’s so much to do." Tracey Emin and Gilbert and George live in the conservation area made up of Fournier Street, Hanbury Street, Wilkes Street and Princelet Street. These are the top-dollar houses everyone lusts after.

"The Georgian houses can fetch anything from £800,000 to £1.2 million," says Simon Stone of Bridge estate agents. "People want to move here because it’s vibey as well as gentrified." And, of course, where you find arty people and nice houses, you find good shopping. Brick Lane isn’t just famous for its curries and bagels any more – it’s also a weekend shopping hot spot.

On Sundays, Brick Lane, Cheshire Street, Sclater Street and Bacon Street are all taken over by the market, which has been going strong since the 18th century and sells bric-a-brac, vintage clothes and furniture.”  http://www.standard.co.uk/

Back in London

Cheers,

   Whew it was a quick trip home!  Sort of like, “now you see them, now you don’t.”   We only saw some of you this trip, but maybe one of these days we’ll be back to stay.  Our flight was on time, comfortable and our luggage arrived with us.  On the plane with us was a harpist group of school girls from England who had performed for former President Clinton, Barbara Streisand and the British Ambassador.  I had a lovely chat with one of the younger members while we waited in line for the “lavatory.”  She was sweet, articulate, polite and interested in me as an American.  Never mind the VIPs at the concerts, her favorite part was staying with host families.  How’s that for getting your priorities straight.  Our “tube” trip back to London was crammed full though getting on at an early stop allowed us to have seats.  Getting through the crowd with our luggage to get off was a bit tricky.  But lots of folks were helpful and no one was rude or unpleasant to us though they weren’t so pleased when their fellow Brits crowded them.  One stop early on saw several school boys get on and I had the sensation I was in the first Harry Potter movie.  And a formal British accent from the mouth of a 10 year old seems comical to me. 

   Oh, and by the way, while in Roanoke we signed a contract to purchase 100 acres of land on Little Brushy Mountain in Roanoke County.  The i’s should be dotted and the t’s crossed by November 18th.  Until that happens we’re not counting our trees or dreaming up house plans.  (Well actually Randal is, though we know contracts aren’t valid until every page or every document has been signed.)   But if all goes as planned we will begin to look for  new owners for Doramac.  When we started this adventure we said, 5 to 10 years so 2014 will be about the middle.  Until she is sold, we’ll keep cruising along, at least for another year or so.  But if the perfect owner comes along November 19th, so be it. 

   We have joined the Friends of Saint Katherine’s Dock and will also take part in the small, informal cruisers group that began while we were at home.  The cruisers meet for coffee Tuesday mornings and the Friends on Wednesday.  Also I have discovered www.walks.com and will try to do at least one each week. 

   So that’s what’s up.  Next email will have some photos as we get out and about.

Ru